The Latin American Art Museum of Buenos Aires has reorganized its permanent collection, assigning a new context for 20th-century Latin American art and its movements.
In addition to the historic gift, the museum will establish a center for the study of modern art from Latin America.
At a press preview earlier this month, Sheena Wagstaff, the Metropolitan Museum of Art’s chairwoman for modern and contemporary art, said that “arguably only the Met” could put on a show like Unfinished: Thoughts Left Visible.
“The house was more than a skin … an organism as alive as our own,” Lygia Clark wrote.
As the visitor to the Museum of Modern Art walks across a swarming fifth floor this summer, she will find Lygia Clark: The Abandonment of Art, 1948–1988, the first comprehensive retrospective of the Brazilian artist’s career in America.
There may never have been a better month to see Brazilian art in New York. Last weekend, Frieze brought a taste of São Paulo art galleries Casa Triângulo, Fortes Vilaça, Mendes Wood, Vermelho, and Jaqueline Martins, as well as Rio de Janeiro’s A Gentil Carioca, to Manhattan.