Art Review
Made in L.A.’s Anti-Curation Doesn’t Work
The curators’ self described “no-methodology methodology” results in a scattered exhibition that feels bland and curatorially unimaginative.
Art Review
The curators’ self described “no-methodology methodology” results in a scattered exhibition that feels bland and curatorially unimaginative.
Features
Ahead of the opening at the Hammer Museum, Hyperallergic spoke to participants whose practices embrace the show’s threads of history and dissonance.
News
The Hammer Museum’s signature show, which centers the work of artists from the greater Los Angeles area, is set to open in October.
Interview
Harmony Holiday wants to show “the Baldwin who was baffled and befuddled and wounded and perfectly real.”
Art
Performance has always been essential as a means of survival to participate in the fiction of America.
Art
Joseph’s project is installed in various Black-owned small businesses throughout Los Angeles, from a barbershop to a medical clinic.
Art
Carmen Argote's exhibition at Commonwealth and Council suggests that she has no money left after participating in Made in LA, displaying work that resists any potential role as pricey art objects.
Art
The body is at the center of much of the work in Made in LA, and overwhelmingly, that body is brown and black, female, queer, and indigenous.
Art
LOS ANGELES — What does it mean to be an LA artist? This is the question that curators Aram Moshayedi and Hamza Walker came up against when organizing the Hammer Museum’s third Los Angeles Biennial, Made in LA 2016.