These magazines often served as laboratories for thought experiments, and were crucial to the creative and political development of many artists.
Esopus 22: Medicine feels like a giant patient file for the cross between the medical and visual arts.
A collection of Anglo-European avant-garde and modernist magazines dating to the late 19th and early 20th centuries has been compiled by Monoskop.
There will always be fashion magazines that instruct readers which silk faille caftan is appropriate for lounging on a yacht over Memorial Day weekend, but what about one that traces the sartorial origins of the safety pin as an accessory?
The Ontario provincial government has begun cracking down on unpaid internships at magazines, shutting down programs at The Walrus, Toronto Life, Fashion Magazine, and Quill & Quire, the Toronto Star reported.
If you are a woman writer who uses the internet, there’s a good chance you spent at least some portion of yesterday looking at (or bookmarking for later) the new VIDA count. For those unfamiliar with it, the VIDA count is an annual tally of the gender gap at literary publications.
LOS ANGELES — It must have been kismet that I ended up sitting next to Julie Niemi at the ridiculous Dave Hickey lecture a few weeks ago. Niemi is one of four founding editors of the LA-based biannual print publication VIA, which is dedicated to the art, food, and music culture of Los Angeles.
It’s no revelation that science and art have long been linked, the curiosity about the workings of the world aligned with artistic creativity. Recently, however, there seems to be more of a movement towards connecting the two worlds into a tighter community.
Compared to, say, the over 40,000 year history of painting, the two centuries that people have been experimenting with photography is a blink of an eye for a medium, yet its rapid proliferation and dense, evolving culture have partially made up for lost time. Aperture magazine, which recently relaunched with its Spring 2013 issue, makes an ambitious effort.
Few magazines managed to embody the creative aesthetic of their time as Verve magazine did in the first half of the 20th century. And although the Paris-based journal last received some attention in 1988, when Verve: The Ultimate Review of Art and Literature was published, it has mostly faded into obscurity; that retrospective, edited by Michel Anthonioz, has since gone out of print.
Now in its sixth year, the New York Art Book Fair, which takes place at MoMA’s hipper sister in Queens, PS1, from September 30 to October 2, features more than 200 exhibitors from Ireland to South Korea. Presented by Printed Matter, the fair is the world’s premier event for artists’ books, contemporary art catalogues and monographs, art periodicals and artist ‘zines. Exhibitors include international presses, booksellers, antiquarian dealers, artists and independent publishers from around the world. As a person susceptible to panic attacks, it is sensory overload city.
On average, we probably encounter magazines more frequently than art. To equate them, though, isn’t common practice. Is a New Yorker cartoon just a quirky little illustration, or is it a defining style of both humor and drawing that has become iconic not just of the weekly, but of the history of cartooning? Is a fashion spread in Harper’s Bazaar just luscious eye candy coxing consumers to buy clothes, or is it the collaborative result of aesthetic visionaries in the demanding creative fields of photography, creative direction and fashion? Are magazines glossy periodicals filled with ads, or are they works of art with revolutionary potential?