Apply by January 22 to be considered for the full-tuition scholarship. The priority deadline is February 26.
Jon Imber, who succumbed to ALS in 2014, emulated Guston, de Kooning, and others while developing a provocative and personal vision of figure and landscape.
Neely has created paintings that respond to some of the major issues of the day: climate change, environmental water loss, and immigration.
Rose Marasco consciously deconstructs the word “photography” in her montages and photos of diaries.
The Camden International Film Festival chose “Power and Story” as the theme of its 15th edition.
Maine College of Art offers Low and Full Residency options giving students the option to base their studio on campus in Portland, Maine or anywhere around the world. The Full Tuition Scholarship application deadline is January 24, 2020.
The artists in Slab City Rendezvous influenced, nurtured, collaborated with, and painted one another, merging into one big happy family.
Diana Cherbuliez’s Trigger Warning looks at our society, where disasters occur on a regular basis and are fodder for our cultural anxieties and voyeurism.
Ann Craven’s painted birds, set against a soft-focus background, have a kitsch quality, but with a provocative edge.
Dan Mills delves into the devastating numbers of threatened populations around the world and then converts them into chaotically beautiful cartographies.
The court jury unanimously determined that a caretaker had unlawfully dissuaded a wealthy woman from bequeathing a large donation to the museum after her death.
The exhibition challenges the idea that migration is an exception or a crisis, showing viewers that migration is now the norm, inscribed in our landscapes, memories, bodies, and imaginings.