Art
With recent statistics showing that only 31% of the solo exhibitions at NYC galleries are devoted to women, it comes as a pleasant surprise that over a two-month period this spring there are several exhibitions simultaneously showcasing the work of second-generation feminist artists.
Art
Ed Paschke (1939-2004), who is considered a Chicago Imagist, is one of the important painters to emerge from America’s heartland in the late 1960s that New York has never fully embraced. One reason for this resistance is his lifelong interest in misfits and the creepy flipside of celebrity, which im
Art
The Hairy Who is not the backing band of the Austrian pop singer Conchita Wurst. Still, it’s hard to believe the members of the Hairy Who, one of several coteries of artists who came together in the 1960s–1970s under the broader moniker of the Chicago Imagists, would not have celebrated this transge
Art
With inadvertent timeliness, a retrospective of the world’s richest artist opened in one of the world’s richest cities in the middle of the run of Robert Polidori’s elegiac photography exhibition, Versailles.
Art
Joe Zucker is the most inventive artist of his generation, which includes Elizabeth Murray, Mel Bochner, Joan Snyder and his longtime friend, Chuck Close, and perhaps the most misunderstood. One reason for the confusion is that reviewers have often focused on Zucker’s inventiveness with materials an
Art
The new paintings of Andrew Masullo, now at Mary Boone Gallery in conjunction with Feature Inc., outwit, defy, and make gallery-going fun again.
Art
What degree of willful perversity is required to think of Peter Saul as heir to Velázquez? Perhaps as much as it takes to plunk a Peter Saul show inside the ultra-blue-chip Mary Boone Gallery, but that’s where we find ourselves on the eve of All Fool’s Day, 2012.
News
Chinese dissident artist Ai Weiwei's now infamous (and toxic) sunflower installation at the Tate Modern in London will have a New York version at Chelsea's Mary Boone Gallery starting this Saturday, January 7.
Art
Joe Zucker’s solo exhibition A Unified Theory at not one, but two Mary Boone gallery outposts is an affair that stretches from day-glo exuberance to quiet, eloquent historicism. In the gallery’s 24th street space, an exhibition of mosaic works on gypsum sees Zucker breaking down the representational