Renoir: The Body, The Senses makes some attempts, vain in my opinion, to present Renoir as a politically progressive artist, even a closet feminist.
Featuring work from MassArt’s 2019 Low Residency MFA candidates in Interdisciplinary Practice. On view from July 22 – August 8.
Racist incidents like the one that targeted school children at the Boston MFA are neither the beginning nor the end. They underscore the museum world’s frequent failure to serve marginalized communities.
After middle school students and faculty reported four racist encounters at the museum, the institution launched an investigation into the claims, including reports that the students were profiled by security guards.
The museum has issued an apology for the “range of challenging and unacceptable experiences that made them feel unwelcome” and has launched an investigation.
The centerpiece of Summer Winds is a large scale, site specific architectural art installation called Silver Current by LA artist Patrick Shearn. On view from July 1 to September 30, 2019 in New Bedford, MA.
The campaign, funded by the Alternative for Germany party, features the 1866 painting “Slave Market” with the caption, “So that Europe won’t become Eurabia.”
Hancock’s is a world with its own creation myths and conflicts — colorful and fun, but with serious undertones.
The exhibition will showcase the work of thirteen graduate students in the final year and is on view from May 3-May 19, including an opening reception on Saturday, May 4.
This year’s Thesis Exhibitions are hosted in three installments, both on-campus and in Boston’s SoWA Arts District.
Dodge’s work implies that you’ll eventually have to rethink love formally in order to reconcile technology and humanity.
Designed for working professionals. Applications are due May 15 for the June 21–30 residency program.