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Hyperallergic

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Posted inArt

The Immoveable Feasts of French Modernism

by John Seed September 2, 2014September 3, 2014

LOS ANGELES — In 1988 Jed Perl, a critic in his mid-thirties who had written for Vogue, Art in America, and The New Criterion, published his first book: Paris Without End: On French Art Since World War I.

Posted inArt

A Blood on the Moon Fierceness: Fritz Bultman’s Paintings and Collages

by Jason Andrew April 29, 2013May 1, 2013

Artist and editor Robert Motherwell proclaimed that of all the painters of his generation, Fritz Bultman was “the one [most] drastically and shockingly underrated.” A survey of his paintings is now on view.

Posted inArt

Single Point Perspective: The Future of Henri Matisse

by Thomas Micchelli March 16, 2013March 19, 2013

I’m rarely taken aback by a Matisse. The reasons admittedly have more to do with personal taste than with aesthetic discernment, in particular an overriding interest in architectonic structure; in the “Matisseite” and “Picassoite” factions dividing Gertrude Stein’s pre-World War I salon, I would have definitely chosen the latter.

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