Winters’s art is about decisions, choices, quality of attention, the shaping of one’s existence in time.
Matthew Marks Gallery
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Stanley Whitney’s Improvisatory Approach to Abstraction
Each canvas follows its own off-beat rhythm.
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Martin Puryear’s Open Questions
To focus on Puryear’s devotion to craft and the handmade is valid, but now seems too narrow a view.
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Anne Truitt’s Spiritual Quest
As her death approached, was the artist starting fresh or beginning to let go?
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Ceramic Sculptures That Refuse the Neat and Tidy
Trafficking in fragments of beings, machines, and ideas, Julia Phillips rejects the immediate gratification of simple forms and answers.
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The Enigmatic Beauty of Leidy Churchman’s Paintings
Churchman raises pointed philosophical and sociopolitical inquiries by coaxing viewers toward a position of otherness.
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The Wonderfully Perplexing World of Gladys Nilsson
Nilsson’s paintings come across as youthful and wise, a rare combination in any art.
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The Secret Paintings of a Hermetic Filmmaker
Jordan Belson wanted the viewer to see only what was in front of his or her face — to scrutinize his paintings from up close.
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Jasper Johns’s Messengers of Aging and Mortality
In these works, we are looking at a merging of organization and dissipation, an image of our destiny.
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Suellen Rocca Turns an Inward Eye
Rocca’s drawings evidence an interior gaze and the working out of psychological states.
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Taking Stock of Painting Today
It is not every day that you can go to Chelsea and see more than 100 paintings by 46 artists within the space of a few blocks.
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The Bewildering Lexicon of Robert Gober
Is Gober taking stock and summing up his life at his latest exhibition at Matthew Marks? If so, he sure is breaking new ground while at it.