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Max Ernst

The Horrors and Delights of the Surrealist Subconscious

Dany ChanMarch 7, 2019

Dorothea Tanning’s Surrealist Depictions of Women’s Pain

Debra BrehmerDecember 3, 2018

Max Ernst’s Collage Novels Are Part Séance, Part Victorian Underworld, and All Uncanny

Mark DeryFebruary 9, 2018

Max Ernst, page from "Oedipus (Oedipe), Volume IV," from A Week of Kindness or the Seven Capital Elements ("Une Semaine de bonté ou les sept éléments capitaux," 1933–34), published 1934, line block after collage, from a five-volume serial novel with 182 line blocks after collages, page: 10 3/4 x 8 1/16 in, publisher: Éditions Jeanne Bucher, Paris; printer: Georges Duval, Paris; edition: 812; the Museum of Modern Art, New York, the Louis E. Stern Collection, 1964 (photo by Robert Gerhardt. © 2017 Artists Rights Society/ARS, New York / ADAGP, Paris)

Birding with Max Ernst

Michael FriedrichDecember 29, 2017

Two Max Ernst Paintings Go to Auction, Including One Never Shown Before

Hrag VartanianNovember 15, 2016

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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