Osman’s care for and attention to his modest materials, the particularities of their identity, is rare in a society where excess is celebrated daily.
McKenzie Fine Art
Posted inArt
Pete Schulte’s Magical Abstract Drawings
Schulte seems at once focused and restless, determined and open.
Posted inArt
Don Voisine’s Restless Shapes
Voisine’s paintings ask us to consider what we pay attention to and why.
Posted inArt
Altoon Sultan’s Powerful Challenge
Sultan’s works implicitly reject the corporate scale of the Minimalists in favor of a domestic and intimate space
Posted inArt
Drawing as Refuge
Pete Schulte’s drawings at first seem to be easily apprehended and quickly digested, but they demand a deeper reflection on choices and motives.
Posted inArt
A Painter’s Dissonant Geometry
Gary Petersen is a highly intelligent painter, which is to say he has absorbed a lot of art history and, more importantly, is at ease with it.
Posted inArt
Excavating the Radical Roots of Abstract Painting
With each new exhibition, it becomes more apparent that Don Voisine is adding his own earned options to the legacy of geometric abstraction.
Posted inArt
Altoon Sultan’s Enigmatic Views
Sultan is both the artist and the artisan — a view that goes against the grain characterizing art as a purely conceptual activity, a form of entrepreneurship.
Posted inArt
The High Drama of Hot Color in a Field of Black
Jason Karolak’s colors grab your attention like flashing LEDs in a dark-as-midnight casino.
Posted inArt
Don Voisine Makes Geometry Sexy
Every color in a Voisine painting has its own material identity. Even the narrow bands edging or running through the panel’s border colors convey a distinctive feel to their physicality.
Posted inArt
Solid and Perilous
Gary Petersen’s skewed geometric paintings call forth analogies to music and architecture, a realm of vertical intervals and diagonal supports spliced into a precarious balance.