More often than not, the message from the US healthcare system to endometriosis sufferers is that their pain is all in their heads.
Aftershock, directed by Tonya Lewis Lee and Paula Eiselt, explains the disproportionate rate of Black maternal mortality in the US.
Classes like Anne Willieme’s are part of the burgeoning field of medical humanities, which aims to tackle the disciplinary divide between art and science.
Hundreds of thousands of entries describe cures, rituals, and healing methods spanning two centuries, with a focus on protecting Indigenous knowledge.
PhotoRx: Pharmacy in Photography Since 1850 explores a pharmaceutical company’s collection of art on drugs.
A publication from Abrams Books and a traveling exhibit currently at the Weisman Art Museum highlight the medical illustrations of Santiago Ramón y Cajal.
Harnessing the Power of the Criminal Corpse is an online exhibition that unearths the macabre history of anatomy and criminal punishment.
Sabrina Small and Caitlin McCormack explore the life and decay of the human body in sculptural fiber art at the Mütter Museum in Philadelphia.
An anatomical theater and its dissected murderess are the subjects of a bloody opera on the physical nature of evil.
Guangzhou, then called Canton by Westerners, was the only Chinese port open to foreign trading until the Opium Wars of the 19th century, and it became a rare hub of direct interactions between the two cultures. One of these resulted in a surprisingly moving series of paintings portraying bodies disfigured by tumors.
The opening of Japan in the 19th century after its isolationist Edo period caused an influx of foreign influence, including Western approaches to medicine.
Robbers, prostitutes, and fallen tightrope walkers: the craniums in the Hyrtl Skull Collection in the Mütter Museum at College of Physicians of Philadelphia are fractured remains of imperfect lives.