Greenish grime coats the prongs of a silver fork that Prince Harry used at a banquet in 2013.
An Australian artist who previously drew a torrent angry comments for knitting with wool inserted into her vagina will soon weave that negative feedback into a new work of art.
The American suburbs are already surreal places, perfectly planned roads dotted with identical homes infinitely replicated across the country. In his two-year Suburban project, Australian artist Ian Strange radically transformed these places into something even more otherworldly with paint and flames.
MELBOURNE, Australia — Empty cans, bits of plastic, wire and wood are common sights in city streets. Some of it is very familiar, like the bottle cap embedded in the tarmac out the front of my neighbor’s house that has been there for years. Graffiti, wheat-pasting, and stencils are a common sights in the inner city streets in Melbourne, Australia. Then one day I walked into a little street in Melbourne’s inner city suburb of Fitzroy and saw the two combined staring at me — street art sculpture made of junk with the tag: Junky Projects.
MELBOURNE, Australia — Melbourne-based street artist CDH specializes in presenting audacious and difficult challenges to institutions that explore the illicit nature of street art. Disguised in a bright safety vest, he is well-spoken and calm and on one occasion his demeanor has even been able to convince a few Melbourne police officers to help him install a street art work. He believes in giving art to the city if they want it or not and that art can be created even if permission is not granted. He dares people to destroy what is clearly art and so traps them in participating in his project.
Alison Young is a lawyer and a professor at the University of Melbourne, Australia, but don’t let that intimidate you. She has also extensively covered the Australian street art world, writing and teaching on the “intersection of law, crime and culture.” In Street|Studio: The Place of Street Art in Melbourne, Young works with street artists Ghostpatrol, Miso (Stanislava Pinchuk) and designer Timba Smits to create a book that documents the culture of street art in Melbourne. From introductory essays to photo spreads to in-depth interviews with artists about their work and the role of street art, Street|Studio covers everything you’d want to know about a city’s scene in a way that few other street art compendiums manage to accomplish. Beyond its excellent good looks, this is a surprisingly informative volume.
Lotus Johnson left this illuminating comment on Alison Young’s post “Art, Value & Banksy’s Rats in Melbourne,” which included an illustration of a stencil depicting a native Australian flower stabbing a Banksy signature animal, the rat. Turns out there’s more than meets the eye.
It seems that Melbourne City Council just can’t get it right when it comes to street art, and especially when it comes to the work of Banksy: two weeks ago, they “accidentally” ordered a cleaning crew to remove one of Banksy’s iconic rats from a wall in Hosier Lane, in the centre of the city. The news of this rodent’s demise was greeted by a storm of media criticism.