• Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Log In
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Twitter
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Log In
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Twitter
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Log In
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Twitter
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
Skip to content
Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Membership

Meredith Monk

Posted inArt

At Roulette, a Performance About Growing Up

Avatar photo by Elisa Wouk Almino March 22, 2017March 23, 2017

Ellen Fisher’s performance Time Don’t Stop for Nobody, taking place March 23 at Roulette, asks four performers to exchange their experiences of growing up.

Posted inArt

A Performance Artist Makes Space for Silence in an Oversaturated World

by Sarah Rose Sharp January 19, 2017

Ahead of her performance there, Meredith Monk gave a lecture at the University of Michigan outlining her approach to performance as an opportunity to break out of our chaotic visual culture.

Posted inPerformance

A Broken Word Opera

by Ellen Pearlman December 2, 2013December 1, 2013

Joe Diebes, a composer and creator of “performance environments” showcased his latest piece BOTCH, part of his three-year artist residency at Manhattan’s HERE Arts Center.

Posted inArt

Frieze 2013 Report: The Doors of Reflection

by Mark Sheerin October 18, 2013October 21, 2013

LONDON — If all art is subjective, mirrored art is doubly so. And if there is one tendency at Frieze this year which cannot be ignored it is the use of reflective surfaces, as if to cause you twice as much grief in judging the work.

Popular

  • Machu Picchu Indefinitely Closed Amid Political Protests
  • Forget “Mummy,” It’s “Mummified Person” Now
  • What Do Bostonians Think of the New MLK Monument?
  • What Does TikTok’s “Corecore” Have to Do With Dada?
  • An Afternoon in the Park With Shahzia Sikander’s Golden Monuments 
Sponsored
  • The Heart’s Knowledge: Science and Empathy in the Art of Dario Robleto
  • Call for Applications: Alex Brown Foundation 2024 Artist Residency Program
  • Hard Return: 9 Experiments for this Moment
  • Push Boundaries With MFA and MA Programs at the University at Buffalo
Hyperallergic
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

  • Home
  • Latest
  • Podcast
  • Store
  • About
  • Support Us
  • Advertise
  • Contact Us
  • Log In
  • Membership
  • Newsletters
  • Submissions
  • Careers
© 2023 Hyperallergic. Proudly powered by Newspack by Automattic Privacy Policy