MEXICO CITY — Chocolate is very versatile.
MEXICO CITY — The opening of a design school campus is hardly news in the US — nor is their mass closing, for that matter — but in Mexico, where institutions devoted to training students for careers in media and the arts are few and far between, it’s a big deal.
In his monograph Pyramid, published by Toluca Éditions, photographer Pablo López Luz explores the pre-Columbian influence on modernist architecture in Mexico.
People who have the luxury of not being directly affected by the world’s many injustices often feel fatigued by so much bad news.
MEXICO CITY — Critic and historian Cuauhtémoc Medina serves as chief curator at the Museo Universitario de Arte Contemporanea, one of Latin America’s and Mexico City’s most progressive contemporary art institutions.
MEXICO CITY — As the US economy has picked up steam in the last few years, falling oil prices and a stronger dollar have left the peso floundering.
MEXICO CITY — Following the forced disappearance of 43 students from the Ayotzinapa Rural Teachers’ College last September, enormous and sometimes violent protests broke out in the capital and continue today. The city’s art and public spaces have been caught in the conflict.
MEXICO CITY — Last year, London-based polymath Nahum became the first artist recognized by the International Astronautical Federation as a young leader in space exploration.
MEXICO CITY — As blue chip galleries courted international collectors at the city’s biggest art fair on the fringes of the tony neighborhood of Polanco, a smaller and more intimate fair opened on Thursday night across town.
MEXICO CITY — A festival is underway in this megalopolis with the ambitious proposal to impose ephemeral, technology-based public art on Chilangos as they go about their daily lives.
The Aperture Foundation publishes beautiful photography monographs that are designed to look more like a portfolio than a book; such is their emphasis on image plates over explanatory text. The Factory of Dreams: Inside Televisa Studios, one of Aperture’s recent publications featuring the Brooklyn-based photographer Stefan Ruiz, is a monograph that presents a single body of work. The Factory of Dreams is a collection of photographs Ruiz began working on eight years ago, depicting one of Mexico’s largest exports: televised fantasies of “love, wealth, and betrayal.”
Damian Ortega, “Cosmic Thing” (2002) Disassembled 1989 Volkswagen Beetle, 265×296 in, The Museum of Contemporary At, Los Angeles, purchased with funds provided by Eugenio Lopez and the Jumex Fund for Contemporary Latin American Art. (image courtesy ICA/Boston) Mexico City is a hub for contemporary art spawning internationally renowned artists that participate in a global art […]