Subscribe to our newsletter

Get the latest news, reviews, and commentary delivered directly to your inbox.

Support Hyperallergic’s independent arts journalism.

Posted inArt

The Point of No Return

On New Year’s Eve I found myself ringing in 2014 at Outlet gallery in Bushwick, watching Miao Jiaxin’s performance piece “News.” It was a fitting choice: “News” elicits a hollow catharsis not unlike a New Year’s Day hangover.

Posted inArt

The Great Refusal: Videos Taking on New Queer Aesthetics

CHICAGO — The Great Refusal: Taking on New Queer Aesthetics induces a sort of lonely feel, one that falls closer in line with Lee Edelman’s No Future: Queer Theory and the Death Drive, which argues that “the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order” than the playful camp of Planet Unicorn. It is after Lee Edelman’s polemic text, and namely the notion of “refusal,” that this video screening and the larger exhibition series takes its name. Yet, if queerness is all about transcending and transforming beyond normative modes of being and believing, why do the works in this screening mostly rely on queer theory texts of the past? This video screening presents 11 videos covering topics of the abject body, intersections of sex and death, the gay mystic, explorations of S/M fantasies and fetish, power plays, the bathhouse, and the odd world of online amateur porn.