We counted down the minutes until we hit the stretch of highway closest to the installation, but we didn’t stop.
Michael Heizer
Michael Heizer’s Empty Empire
Despite his reportedly encyclopedic knowledge of the region’s geologic and mineral makeup, Heizer has displayed a baffling incuriousness about the larger story of the land he digs, cuts, and plows.
What Do Native Artists Think of Michael Heizer’s New Land Art Work?
Characterizations of the artist’s newest work, and that of other White land artists of his generation, sometimes ignore questions of place and locality that are central to Indigenous thinking.
After 50 Years, Michael Heizer’s Colossal Desert Installation Is Finally Finished
Work on the colossal land art project in the remote Nevada desert began in 1970.
A Documentary Mines the Stories of Three Pioneers of Land Art
In his new documentary, Troublemakers: The Story of Land Art, filmmaker and art historian James Crump digs beneath the surface to explore the personal lives, artworks, and historical treatment of three land artists: Michael Heizer, Walter De Maria, and Robert Smithson.
Obama Declares Tract of Nevada Desert, and Michael Heizer’s “City,” a National Monument
In March, the art world rallied to call for the protection of Nevada’s Basin and Range area, a landscape of rich archaeological resources and the site of Michael Heizer’s sprawling land art piece, “City” (1972–present).
In the State of Nevada, This Land Is Not Your Land
WENDOVER, UTAH — Land use has got to be one of the least sexy topics of conversation.
Museums Join Campaign to Preserve Land Art Opus
In 1972, the Land Art pioneer Michael Heizer began buying up tracts of land near Nevada’s Garden and Coal valleys.
US Senator Proposes Conservation Expanse for Michael Heizer’s Land Art
A bill quietly introduced by United States Senator Harry Reid would protect an 800,000-acre swath of Nevada desert containing the land art works of Michael Heizer, the Las Vegas Review-Journal reported.
A Google Earth Perspective on Land Art
Earlier today @museumnerd tweeted out a link to a view of Michael Heizer’s land work “Double Negative” (1969) in Google Maps. Viewed in satellite, from high above, Heizer’s 1,500-foot-long trenches looks almost incidental, like cuts made with scissors into the skin of the earth.
Aural Mirrors on Sound’s Stage
The pervasive, even immersive, nature of sound is the subject of an unassuming exhibition by Tim Bruniges, whose megalithic installation, MIRRORS, is on view at Brooklyn’s Signal gallery.
A Summer Pilgrimage to Nevada’s Double Negative
Michael Heizer’s “Double Negative” (1969), located two hours northeast of Las Vegas, is a quintessential piece of the Land Art canon. Yet if you don’t have a clear image of what you’re looking for, you may not find it — this is no “Spiral Jetty.”