Artists and activists called out the private museum in Kansas City for allowing police to stage on their property on Friday during nearby protests.
As many grapple with the tension between confinement and the privilege of security, Fordjour’s artworks offer opportunities for relief from, and for contemplation of the uncertainty that lies beyond.
Year after year, True/False has provided a forum for filmmakers, critics, and viewers to do the work of considering documentary outside of its traditional boundaries.
The 72-by-48-inch print is based on the artist’s recent site-specific installation at the Mildred Lane Kemper Art Museum in St. Louis, Missouri.
While his political commitment comes through in many works, it’s hard to square talk of “revolution” with Ai Weiwei’s staggering mainstream US success.
The Sam Fox School’s MFA in Visual Art program is a dynamic environment where emerging artists thrive. Join us. Apply by February 3, 2020.
Explore the Sam Fox School’s expansive new spaces and see Ai Weiwei: Bare Life during the Prospective Graduate Student Open House on November 18.
Led by John Hendrix, D.B. Dowd, Shreyas R Krishnan, and Heidi Kolk, the program will host an open house for prospective graduate students on November 18.
For 10 years, the Crossing church in Columbia, Missouri, has helped sponsor the country’s premier documentary film festival. Now, however, that relationship has ended.
UMB Bank is suing a city in Rhode Island for refusing to house ICE detainees at an affiliated detention center. The bank’s CEO, Mariner Kemper, is also a trustee of the Kemper Museum of Contemporary Art in Missouri.
The power relations presented in an exhibition at the Pulitzer Arts Foundation are selective. We get a discussion of ancient power — but what about the modern power to acquire these objects regardless of legal or ethical concerns?
Works by 17 students in the Sam Fox School of Design & Visual Arts’ Graduate School of Art will be on view May 10-July 12.