Art
Twenty-Six Thoughts on Robert Rauschenberg
MoMA's retrospective runs from stench and perfection to perfection and putrefaction.
Art
MoMA's retrospective runs from stench and perfection to perfection and putrefaction.
Interview
While the summer science fiction series is a common repertory staple, MoMA’s Future Imperfect: The Uncanny in Science Fiction stands apart from the rest with its interest in the uncommon.
Film
The moving image artist's 2002 video *Corpus Callosum launches an onslaught of video effects at indifferent office workers and couch potatoes.
Art
In MoMA’s Unfinished Conversations, artists around the world engage with today’s political struggles while exposing their personal, cultural, and historical roots.
Art
Through over 400 objects, Frank Lloyd Wright at 150: Unpacking the Archive at the Museum of Modern Art considers the great American architect's career from unexpected angles.
Film
In her debut feature, artist Filipa César documents the digitization of films made in the African country around the time of its independence.
Art
Throughout the month of June, the museum will 18 screen movies made from 2000 to the present.
Art
The Museum of Modern Art's retrospective of the works of Moustapha Alassane is every bit the breakthrough it appears to be.
Film
Louise Lawler's A Movie Will Be Shown Without the Picture, which recently "screened" at the Museum of Modern Art, a film is played in a cinema with only its soundtrack.
Art
The series Making Faces on Film gathers daring and singular films about being black in the United States, from 1913 to today.
Art
Anne Teresa De Keersmaeker's Work/Travail/Arbeid is a kind of communal performance in which everyone is welcome.
Film
Andrés Waissbluth’s Un caballo llamado Elefante (“Elephant, the Horse”), playing at the Museum of Modern Art, is a charming reversal of the trend toward animation.