News
Saving face is no longer limited to disgraced public figures — architects and their patrons can also get in on the action. The New York Times is reporting that the Museum of Modern Art intends to preserve the metal panels that make up the façade of the American Folk Art Museum building.
Art
The reason we feel great pleasure when gazing at Genzken’s sculptures is because they, or rather she, gives us the experience of seeing the world as if for the time. She returns us to our infant selves.
Art
The two coincidental exhibitions in New York, on the gallerists Ileana Sonnabend (1914–2007) at the Museum of Modern Art and Holly Solomon (1934–2002) at Mixed Greens, make for engaging historiography, selective histories within the established art narratives.
Art
On Tuesday evening, the New York Society for Ethical Culture hosted a forum on the Museum of Modern Art's expansion and the controversy surrounding its decision to demolish the American Folk Art Museum building.
Art
If the howlings this week surrounding the fate of the American Folk Art Museum building are any indication, a low-stakes outrage has gripped the culture pages of virtually every newspaper and magazine in America.
News
The Museum of Modern Art (MoMA) is proceeding with its controversial plans to bulldoze the American Folk Art Museum building, the Wall Street Journal has reported.
Art
Last year I wrote an article called “What You Might Be Missing at MoMA,” which discussed the paintings exiled to the corridors of the Museum of Modern Art’s fourth and fifth floors.
News
Few people may know the names of Shunk-Kender, but the pair of photographers behind that hyphenated moniker have captured many of the most famous images of post-war modern and contemporary art in Paris and New York and together they documented many ephemeral events that would've been lost to history
Art
The New York art world was thrown a free joke when, over the summer, people waited in the rain to get into the Museum of Modern Art's Rain Room, a project by the studio Random International. The line was a capstone to a year of big projects with big draws, one more peak in a now-familiar rhythm: eve
Art
Inside the second floor galleries housing the contemporary collection of the Museum of Modern Art, a sculpture called “Bruno” (1998–2012) stands in quiet command of the room. Made primarily of grass and cow intestines, its materials transform the human body into a mediation on mortality via the dige
Interview
Peter Selz — prolific curator, art historian, and an instrumental figure in the scholarship on modern art — hardly bears introduction.
Art
As the blue Prosecco-and-Curaçao cocktails were passed around, I asked Elaine Tin Nyo, the artist and ringleader of Edible Magritte, an after-hours event at the Museum of Modern Art (MoMA), if we’d be eating eyeballs that night.