Despite a new section devoted to virtual reality, the strongest trend running through the 2017 fair is work grounded in the body and its place in society.
Moving Image art fair
Posted inArt
Your Concise Guide to Armory Week 2017 — with GIFs!
Our handy guide to this week’s 11 art fairs in New York City, from the august ADAA Art Show to the diminutive Salon Zürcher, supplemented with animated GIFs.
Posted inArt
Your Concise Guide to Armory Week 2016
Like a noble grizzly emerging, famished and irritable, from her den after months of hibernation, the New York art world is roaring aggressively into action for the annual Armory Week fairs.
Posted inArt
The Bewitching Geometry of the Moving Image Art Fair
Moving Image would be Emily Dickinson’s favorite art fair.
Posted inArt
Your Concise Guide to Armory Week 2015
It’s time for the art world’s annual migration to the far, far, far west side of Midtown Manhattan for the Armory Show and its many satellite art fairs.
Posted inArt
Code Art at the Intersection of Data, Space, and Time
Lisa Gwillam and Ray Sweeten form the code-art creating duo DataSpaceTime. Engaging in the aesthetics, the politics, and various undersides of contemporary backend technology, their pieces break down digital images, investigate how visual data interacts with other visual data, and look at how new technologies play with old ones.
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Old Favorites and New Surprises at Moving Image
There’s a problem inherent in the basic premise of a video-art fair. On the one hand, it’s refreshing to see artwork at a fair in different media than painting, works on paper, and the occasional sculpture, which are the usual standbys at fairs because they’re easier for a quick sell. On the other, the format doesn’t really suit video art, because fairs are not designed for extended looking. While it feels like an increasingly glaring omission these days to not see more multimedia work at fairs, there’s also reason why that’s the case.
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Searching For An Explanation at the Moving Image and Independent Fairs
After attending both the Moving Image Fair at the Waterfront Tunnel and the Independent in the old Dia:Chelsea building, I realized that art fairs and the art contained within them are suffering from the same problem as many recent exhibitions in major museums: It’s nearly impossible to appreciate the art by itself without a detailed explanation of the artist’s background and motivations.
Posted inOpinion
A Cheat Sheet for Art Fair Coverage
Over the past week, we’ve brought you an enormous volume of art fair coverage. Art fair week may be over, but just in case you missed any of the events, we have your answer here: a Hyperallergic art fair cheat-sheet, with links to all of our separate articles plus a few from other blogs.
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Paying Attention at Moving Image 2011
The first thing that I noticed about Moving Image, an art fair based entirely around video works, was the relative calm. Gone were the crowds, gone were the collectors running rabidly from booth to booth, gone were the chatty gallerists and curators. Moving Image is a place to look at art and experience it one on one. It takes some time, but walking through the videos I definitely caught a few stand out pieces that would have been overwhelmed in an regular art fair display.
