Art
A Border Artist's Vision of Inheritance and Trauma
Working between San Diego and Tijuana, Griselda Rosas plumbs the stories of conquest, colonization, and conversion in her latest solo show.
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Working between San Diego and Tijuana, Griselda Rosas plumbs the stories of conquest, colonization, and conversion in her latest solo show.
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With an eye for unearthing cultural hypocrisy and advocating for exploited people, Álvarez Muñoz responds to social injustice in her colorful art.
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In 1978, Yolanda López debuted a body of work whose imagery would reshape the visual language of Chicanx feminism.
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Ruth Asawa, Anni Albers, and others first experimented with printmaking at June Wayne’s Tamarind Lithography Workshop.
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A cultural community has emerged in San Diego and Tijuana that recognizes where the cities diverge but also where they overlap.
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This exhibition demonstrates Sadie Barnette’s genuine belief in the possibility of taking one’s time to look through one’s past, diligently, to find a political orientation that does not resent this past, or skip over it, but goes through it.
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Since taking the reins at the San Diego Art Institute in March 2014, Ginger Shulick Porcella has thoroughly revamped the nonprofit art space, increasing its visibility, diversifying its programming, and drawing praise from everyone with a stake in the local art scene — well, almost everyone.
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Earlier this week I posted a review of MCASD’s current show Phenomenal: California Light, Space, Surface. Reading this, you might have thought, “Cool! Perceptual deprivation! Now I’ll know what it was like doing LSD in the 1960s and 1970s without worrying about passing a drug test at work!” Which is
Art
SAN DIEGO — One of the most anticipated shows of Pacific Standard Time — the Getty’s epic initiative to “celebrate the birth of the LA art scene” and demonstrate that art history has also been made outside of New York — is the Museum of Contemporary Art San Diego’s Phenomenal: California Light, Spac
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Tyler Green has this incredible story — China is demanding the return of two marble chair sculptures by Ai Weiwei recently bought by the Museum of Contemporary Art San Diego due to a claimed export license problem. Is China trying to censor Ai's work abroad?
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Prospect 2011 continues at the Museum of Contemporary Art San Diego until July 10, 2011
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There is apparently something about institutional street art shows that move museum folk towards declarations of their firstness. Street Art at the Tate Modern in 2008 was billed as "the first major public museum display of Street Art in London" while just last winter Hugh Davies, Director of the Mu