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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Nahmad Contemporary

Posted inArt

Paint Is the Language of God: The Gospel According to Gustave Moreau

by Tim Keane March 26, 2016March 31, 2016

What’s Gustave Moreau doing hanging out with John Currin, Wade Guyton, and Damien Hirst?

Posted inArt

Rainbow Sherbert Collages of Calamity

by Carey Dunne October 23, 2015October 23, 2015

The clash of cheery colors with destructive scenes gives this artist’s images a subversive, dissonant power.

Posted inArt

Fabulous Immediacies and Epic Trajectories: Joan Miró’s Late Paintings 

by Tim Keane June 20, 2015June 23, 2015

How did postwar New York painting influence one of its foremost European progenitors? This question is posed as a partial rationale for Nahmad Contemporary’s current show Joan Miró: Oiseux Dans L’Espace.

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