Nam June Paik: Becoming Robot, organized by the Asia Society Museum, is the first solo show of the Korean-born artist in New York City since his celebrated 2000 Guggenheim retrospective.
Nam June Paik
Posted inArt
How a Fluxus Pioneer Tuned Televisions to a World of Noise
PARIS — Following on the heels of the Jean Dupuy and Robert Filliou gallery exhibitions, a third radical Fluxus-related artist is receiving a museum-quality gallery show in Paris: Wolf Vostell.
Posted inArt
Divisions of Labor: ‘Capitalist Realism’ at Artists Space
From Baudelaire’s 1859 dismissal of photography on down, the image-culture of the petit bourgeois “mob” has long served as a provocation to artistic thought, a relationship that reached its most literal apogee in the West with the Pop Art of the 20th century.
Posted inArt
Art Basel Hong Kong on the Verge (Part 2)
HONG KONG — More than US$1 billion of art was for sale at Art Basel Hong Kong, according to insurer AXA ART. But the fair managed to look beyond sales, and also displayed a number of serious counterweights to the frenzied acquisitive impulse.
Posted inArt
Hot Internet TVs on Frozen Winter Days
CHICAGO — Media theorist Marshall McLuhan once said that television is cool and radio is hot. This isn’t a temperature thing, but rather a classification of media based on the participation it involves from viewers.
Posted inBooks
Reading the “Nothings that Are”: Craig Dworkin’s “No Medium”
“In No Medium Craig Dworkin looks at works that are blank, erased, clear, or silent … point[ing] to a new understanding of media.” So goes the back cover copy of the author’s new book, which was released in March by MIT Press. This paratextual statement, while certainly catchy, is a bit misleading regarding Dworkin’s argument as well as the actual nature of his objects of study (some of the treated works, such as John Cage’s 4 ’33” and Robert Rauschenberg’s White Paintings, are well known while many others are not); and it risks obscuring, to some extent, the host of wonderful subtleties, the wily interpretive moves and maneuvers that can be found within the book itself.
Posted inOpinion
Nam June Paik’s “Electronic Space Opera #1”
It seems fitting to kick off our Videodrome day of art videos with one from Nam June Paik, an early video artist from Korea whose multimedia sculptures and installations challenged the boundaries of art making in the 60s and 70s. Here, check out Paik’s “Electronic Opera #1”.
