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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Nan Goldin

Elizabeth A. Sackler (photo courtesy Elizabeth A. Sackler)
Posted inNews

Elizabeth A. Sackler Supports Nan Goldin in Her Campaign Against OxyContin

by Benjamin Sutton January 22, 2018September 11, 2019

The cultural philanthropist says she stands in solidarity with those calling on another branch of the Sackler family to answer for its role in the opioid epidemic.

Spirits of Manhattan: Kathleen White, Pioneer Works, New York, December 10, 2017–February 11, 2018 (photo © Dan Bradica)
Posted inArt

The Life of Kathleen White as Told Through Her Art and Nan Goldin’s Photographs

by Ilana Novick January 18, 2018

A pair of exhibitions at Pioneer Works showcases Kathleen White’s commemorative artworks incorporating the hair of deceased friends and Nan Goldin’s photographs of White, who died in 2014.

Posted inIn Brief

Artist Nan Goldin Joined Instagram

by Benjamin Sutton December 25, 2017December 26, 2017

The famed photographer recently joined the image-centric social network, posting a mix of her well-known photos and new images.

Posted inArt

The Tender Gravity of Domestic Spaces Haunted by AIDS

by Joseph Shaikewitz July 17, 2017July 18, 2017

A multimedia exhibit at Museum of the City of New York looks back at the domesticity of the AIDS crisis.

Jack Goldstein, "A Suite of 9 Seven-Inch Records" (1976) (image courtesy 1301PE, Los Angeles)
Posted inArt

A Decade of New York City Art and Disco in 10 Tracks

by Craig Hubert January 13, 2017January 14, 2017

Recent books by Tim Lawrence and Douglas Crimp underline the close relationship between the New York art scene of the 1970s and ’80s and that most unjustly maligned of musical movements, disco.

Posted inArt

A Tribute to Oscar Wilde in the Prison Where He Was Incarcerated

by Francesco Dama November 22, 2016November 22, 2016

The art organization Artangel has invited visual artists, writers, and performers to respond to Reading Gaol’s most famous inmate, Oscar Wilde.

Posted inArt

30 Years On, Nan Goldin’s Unflinching ‘Ballad’ Is Just as Powerful

by Elyssa Goodman December 28, 2015December 24, 2015

When the slideshow of Nan Goldin’s The Ballad of Sexual Dependency flipped past pictures of her ex Brian, I finally understood why she had photographed him so much.

Posted inArt

The Triumph of Revisionism: The Whitney’s American Century

by Thomas Micchelli May 2, 2015May 6, 2015

With America Is Hard to See, the exhibition inaugurating its luminous new Renzo Piano building, the Whitney has reclaimed its role among the city’s museums as the engine of the new.

Posted inArt

From Calder to Kruger, the New Whitney Museum’s First Show

by Jillian Steinhauer April 23, 2015April 30, 2015

The inaugural exhibition at the new Whitney Museum is not perfect, but it is pretty damn good.

Posted inArt

Depending on Nan Goldin

by Joseph Nechvatal August 20, 2014August 20, 2014

PARIS — I used to abhor Nan Goldin’s “The Ballad of Sexual Dependency” (1979-1986), her famous 45-minute operatic show of 800 color slides set to a choppy 80s pop music soundtrack.

Posted inArt

Fondation Cartier at 30: Universalized Eclectic Global Art in Forward Motion

by Joseph Nechvatal June 11, 2014June 11, 2014

PARIS — This is a vision of a universalized eclectic global art in forward motion: a relational aesthetic that seems to hover over many exhibitions in France as a great correctness that cannot be questioned, only tampered with.

Posted inArt

Balthus’s Androgynous Dreams

by Cynthia Cruz November 26, 2013November 29, 2013

When we talk about Balthus what we talk about are perversities: a grown man painting erotically charged portraits of Lolita-like young girls with their skirts flapped up like flowers.

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