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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Nasreen Mohamedi

Posted inArt

The Political Vision of South Asian Abstraction

by Stan Mir September 22, 2021September 22, 2021

The works in Fault Lines prove that abstraction need not be confined to the inner life of the artist.

Posted inArt

New York’s New Institution Devoted to Arab and Islamic Art Seeks a Sense of Place

by Vivek Gupta May 22, 2017May 23, 2017

Zarina Hashmi’s work that imagines “home” as an idea we carry with us sets the tone for the Institute of Arab and Islamic Art’s first exhibition in New York.

Posted inArt

The Metropolitan Museum Is Still Very Eurocentric and Conservative

Avatar photo by Hrag Vartanian March 1, 2016March 9, 2016

If you thought the Eurocentric gods may have been toppled from their comfortable perches at the top of Mt. Met, you’ll be sorely disappointed.

Posted inArt

India’s Nasreen Mohamedi Belongs to Everyone

by John Yau November 17, 2013November 20, 2013

After the filmmaker Nagisa Oshima was called the “Japanese Godard” for what must have been the umpteenth time, he wittily replied by calling Godard “the French Oshima.” I thought of Oshima’s response once more when I went to Nasreen Mohamedi: Becoming One at the Talwar Gallery (September 13–November 23).

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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