“In 2020, there are only five full-time Black employees on a staff of over 40. There are no Black curators in a museum solely dedicated to the arts and culture of Africa,” the letter reads.
Every city has its own sounds, its distinct murmur and roar of voices and traffic.
WASHINGTON, DC — Upon entering the Smithsonian National Museum of African Art, I made my way through the lobby and down a flight of stairs.
WASHINGTON, DC — Ever since the National Museum of African Art’s 50th-anniversary exhibition Conversations: African and African American Artworks in Dialogue opened last November, the show has sparked exactly what its name intended: fervent debate.
I am writing to you today with a simple request: take down the pictures of Bill Cosby in your current exhibition Conversations.
In the wake of new controversy over AP’s discovery that the Cosbys bankrolled the entire show, the Smithsonian has finally mustered up the courage to take some visible form of action.
Over the past few months, the Smithsonian has been criticized for not addressing the rape claims leveled against Bill Cosby.
After last week’s radio silence, the Smithsonian’s National Museum of African Art has released a new statement acknowledging the rape allegations against Bill Cosby.
As rape allegations against Bill Cosby have continue to emerge this week, with a fifth and sixth woman stepping forward to publicly accuse the iconic comedian, the backlash has been swift. But Cosby’s collaboration with the art establishment remains alive and well.
For over five decades Chief Solomon Osagie Alonge photographed the royal court and everyday life of Benin, Nigeria. Drawing on their collection of over 2,000 glass plate and large format film negatives, as well as around 100 prints, the Smithsonian National Museum of African Art is exhibiting some of his rarely seen photographs.