We need to make it clear to our museums that we do not want to walk around in galleries of stolen artworks.
The looted status of the stele has been well documented since the 1980s, but it wasn’t until this year that the FBI and Dallas Museum of Art collaborated to return the religious artifact.
A blogger’s shaky snapshots from an exhibition opening reveal where a Lakshmi-Narayana statue stolen from a temple in Kathmandu in 1984 had ended up: the Dallas Museum of Art.
Whose and Whom brings together artists from around the globe who posit the body as a vehicle for performing gender.
Soundwalk Collective recorded wind at 200 villages and monasteries in Nepal to create an immersive experience at the Rubin Museum.
To coincide with the one-year anniversary of the April 25, 2015, earthquake in Nepal, the Rubin Museum of Art is launching a series of commemorative projects, including an online exhibition that celebrates the unique culture of the region.
Just in time for your summer beach trip, J. Crew has released a limited-edition tote bag emblazoned with a Slurpee-shaded landscape and discreet sans serif lettering wishing “Love to Nepal.”
Prime Minister Sushil Koirala has said the country needs about $2 billion for reconstruction and has expressed the hope that all buildings — homes, businesses, and historic sites — will be back up in two years.
The collection of the Nepal Fine Arts Academy (NAFA) is at risk of being lost following the April 25 earthquake that killed thousands and destroyed countless historic and cultural sites.
The Rubin Museum of Art opened an installation of Nepalese art today to launch its Honoring Nepal programming series, which celebrates the culture of the earthquake-devastated country.
A crucial need in any rescue effort — perhaps just as important to saving lives as medical supplies, food, and tents — is an up-to-date map that humanitarian workers can use to more efficiently navigate the rubble.
KATHMANDU, Nepal — The Kathmandu International Art Festival opened on a sunny November 25 morning in the grand ballroom of Yak & Yeti hotel in Kathmandu. Though this was the second international art festival (the first was Between Myth and Reality: Status of Women in 2009) to be hosted in the new republic of Nepal, in terms of scale, it was unprecedented, a rare non-profit and non-commercial endeavour showcasing the works of 95 artists from 31 countries spread across 16 venues.