Just in time for your summer beach trip, J. Crew has released a limited-edition tote bag emblazoned with a Slurpee-shaded landscape and discreet sans serif lettering wishing “Love to Nepal.”
Nepal
Posted inNews
Nepalese Cultural Sites in Peril as Calls for Relief Go Unanswered
Prime Minister Sushil Koirala has said the country needs about $2 billion for reconstruction and has expressed the hope that all buildings — homes, businesses, and historic sites — will be back up in two years.
Posted inIn Brief
Nepal’s Only National Art Collection in Peril After Earthquake
The collection of the Nepal Fine Arts Academy (NAFA) is at risk of being lost following the April 25 earthquake that killed thousands and destroyed countless historic and cultural sites.
Posted inArt
New York City Museum Celebrates the Culture of Earthquake-Ravaged Nepal
The Rubin Museum of Art opened an installation of Nepalese art today to launch its Honoring Nepal programming series, which celebrates the culture of the earthquake-devastated country.
Posted inNews
Open-Source Maps Help Guide Nepalese Earthquake Relief
A crucial need in any rescue effort — perhaps just as important to saving lives as medical supplies, food, and tents — is an up-to-date map that humanitarian workers can use to more efficiently navigate the rubble.
Posted inArt
Painting is Alive and Kicking at the Kathmandu International Art Festival
KATHMANDU, Nepal — The Kathmandu International Art Festival opened on a sunny November 25 morning in the grand ballroom of Yak & Yeti hotel in Kathmandu. Though this was the second international art festival (the first was Between Myth and Reality: Status of Women in 2009) to be hosted in the new republic of Nepal, in terms of scale, it was unprecedented, a rare non-profit and non-commercial endeavour showcasing the works of 95 artists from 31 countries spread across 16 venues.
Posted inBooks
Oh, Knitta Puh-leze
Urban Knits, a small book of colorful photographs, explores a relatively new kind of graffiti called “urban knitting,” self-proclaimed to be the most “inoffensive” type of urban graffiti. Like most books of its kind, a collection compiled by theme, Urban Knits unintentionally shows the wide discrepancies in quality that exist in all forms of art, but that are especially prevalent in graffiti and street art. When the impetus for making art is not exclusively about the quality of the work itself but rather about the act of leaving a mark, the results are often less than imaginative. This seems to hold true for tagging as well as knitting.