Thek rebelled against his early virtuosity, and chafed against the aspects of religion that rejected his gayness, while remaining a devout Catholic.
Jackson’s exhibition The Land Claim began an extensive dialogue with local Indigenous, Black, and Latinx families on Long Island’s East End.
The Pattern and Decoration movement was a hard-charging assault on traditions both ancient and oppressive. It was also an explosion of joyously liberated impulses.
In her art, Goodman seems to both revisit trauma and heal it. The results are moving and painful.
In her US debut, Castiel Vitorino Brasileiro charts the boundless potential of the spiritual in-between.
I cannot think of another narrative painter as expansive, surprising, funny, unsettling, tender, wacky, challenging, theatrical, and radically imaginative as Angela Dufresne.
Andrei Konchalovsky’s film depicts an artist full of ambition, paranoia, loathing, and regret.
Painting, as a verb, is a way of living in time, of inhabiting a state of solitude, even when you are with other people.
Pensato favored pop culture flotsam marred by the real world, which she transmuted into adventurous artworks dealing with raw, real world concerns.
Pusey’s cursive marks sit in that zone where writing becomes drawing and vice versa.
The change in hue and density from painting to painting struck me as simultaneously methodical and intuitive.
It’s hard to imagine how three minutes of Mozart’s Marriage of Figaro repeated for 12 hours can be so riveting.