The Mexican artist’s works reveal the radical possibilities of an indigenous sensibility charged with a keen awareness of politics and art history.
Sports team names and logos in the US have long reinforced derogatory stereotypes of Native people.
More than 22,000 artists applied for Creatives Rebuild New York’s initiative, the biggest in the country.
Are you going to let him win?
Mutu’s imposing sculptural characters magnify her decades-long collage practice as sites of cultural, psychological, and sociopolitical transformation.
More than 100 modest and intimately scaled artworks in Still Life and the Poetry of Place provide glimpses into interiors, both humble and opulent.
The emphasis in Semmel’s retrospective Skin in the Game is on the various points of view she has taken on herself — and, briefly, on others too.
The artists in this Stony Brook University exhibition defy many of the linguistic and cultural hierarchies that museums often perpetuate.
In addition to predicting the coming of colonization, environmental destruction, and capitalism, Indigenous artists have also envisioned a world where these things never happened.
In the wake of the film’s nomination for the Best Documentary Feature Oscar, Stanley Nelson and Traci Curry speak to Hyperallergic about the uprising’s ongoing relevance.
In his first solo museum show, Klos continues exploring the intersections between the human form, the natural world, and the built environment.
It is one thing to be a visionary and another to be one whose work holds your attention for a sustained period of time.