Davis recognizes that grids, networks, and circuits are not purely a product of the art world, and there are myriad contexts in which the government and corporate America deploy them.
New York State
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Fiber Works Seek to “Celebrate, Mourn, and Heal” the Experiences of Indigenous Women
A peek at Decoding Craft, an exhibition of works by Erin Lee Antonak and Sariah Park, presented as part of the ongoing Indigenous Women’s Voices Summit.
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A Painter’s Belief in Painting
Michael Berryhill sees painting as an “amazing place” where the miraculous can still occur.
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Beer with a Painter: Dan Walsh
“Twenty years ago, you wouldn’t be caught dead being called a colorist.”
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Jan Harrison’s Dream Animals
To respond to an animal in Harrison’s imagined world is to grasp how closely its existence is linked with that of all the others.
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A Rebel in The High Modernist Camp
Suzan Frecon insists that art is a wordless experience, that paintings invites us to a plane beyond understanding.
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A Painter for a Heated World
Given his red-dominated palette, I don’t think it is implausible to suggest that one of Frank Holliday’s subjects is conflagration — a world consumed by fire.
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Lawrence Ferlinghetti, Painter and Poet
Lawrence Ferlinghetti marks his 101st year with his first solo exhibition of paintings in New York.
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The Prison Drawings of Frank Jones
Frank Jones was “double-sighted” — born with a caul over his left eye — which gave him, or so it was believed, the power to communicate with the spirit world.
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A Powerful Debut
As a young Asian American painter, Susan Chen knows what she is up against and is consciously pushing back.
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Warren Isensee’s Breakthrough
Isensee has gone from being a dutiful geometric abstractionist to defining his own trajectory, and gaining a verifiable freedom for himself.
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Ying Li’s Ecstatic Landscapes
Li had to reinvent herself as a gestural painter in her 30s, after years of painting traditional ink-wash landscapes and Soviet-style propaganda.