Davis recognizes that grids, networks, and circuits are not purely a product of the art world, and there are myriad contexts in which the government and corporate America deploy them.
New York State
Fiber Works Seek to “Celebrate, Mourn, and Heal” the Experiences of Indigenous Women
A peek at Decoding Craft, an exhibition of works by Erin Lee Antonak and Sariah Park, presented as part of the ongoing Indigenous Women’s Voices Summit.
A Painter’s Belief in Painting
Michael Berryhill sees painting as an “amazing place” where the miraculous can still occur.
Beer with a Painter: Dan Walsh
“Twenty years ago, you wouldn’t be caught dead being called a colorist.”
Jan Harrison’s Dream Animals
To respond to an animal in Harrison’s imagined world is to grasp how closely its existence is linked with that of all the others.
A Rebel in The High Modernist Camp
Suzan Frecon insists that art is a wordless experience, that paintings invites us to a plane beyond understanding.
A Painter for a Heated World
Given his red-dominated palette, I don’t think it is implausible to suggest that one of Frank Holliday’s subjects is conflagration — a world consumed by fire.
Lawrence Ferlinghetti, Painter and Poet
Lawrence Ferlinghetti marks his 101st year with his first solo exhibition of paintings in New York.
The Prison Drawings of Frank Jones
Frank Jones was “double-sighted” — born with a caul over his left eye — which gave him, or so it was believed, the power to communicate with the spirit world.
A Powerful Debut
As a young Asian American painter, Susan Chen knows what she is up against and is consciously pushing back.
Warren Isensee’s Breakthrough
Isensee has gone from being a dutiful geometric abstractionist to defining his own trajectory, and gaining a verifiable freedom for himself.
Ying Li’s Ecstatic Landscapes
Li had to reinvent herself as a gestural painter in her 30s, after years of painting traditional ink-wash landscapes and Soviet-style propaganda.