Dressed in a crisp tuxedo, Swiss artist Kurt Seligmann stepped into a chalk circle lined with the names of archangels on the wood floor of his Manhattan apartment.
After excavation, ancient artifacts embark on an afterlife of interpretation. From Ancient to Modern explores how the archaeology of Mesopotamia reflected fashions and academia of the 1920s and 30s, and influenced contemporary art.
Today, a three-day conference titled Philosophy of Street Art: Art in and of the Street begins at Pratt Institute and New York University.
Different artists disagree as to how communist convictions are best or most effectively visualized, and the best part of The Left Front is the methodological tension that underwrites the varied approaches on display.
A historic building on Millionaire’s Row seems an unlikely location to come upon contemporary sculpture, yet the old and the new are currently loosening each other up in a former party mansion on the Upper East Side. EXPAND//FOLD//COLLAPSE// Sculptures by Marta Chilindron features brightly colored, manipulable works placed within the Beaux-Arts setting of the James B. Duke House.
A front-page investigative story published in the New York Times today has confirmed previous allegations of labor abuses in the United Arab Emirates (UAE), echoing the findings of the Guardian, Human Rights Watch, and — most recently — the Gulf Labor activist group.
At a hard-hat tour of the Whitney’s Renzo Piano-designed building in downtown Manhattan earlier this month, it was announced that the institution plans to extend a year of museum membership to the project’s construction workers.
In the course of writing The Rise and Fall of Artists’ SoHo (Routledge), I read several earlier books about lofts and artists in lower Manhattan. The most embarrassing by far, in spite of some research worth crediting, was Sharon Zukin’s Loft Living: Culture and Capital in Urban Change.