Film
How New York Has Changed Over the Years, as Told By Pizza
With Untitled Pizza Movie, David Shapiro spotlights a slice of NYC life.
New York
Art
Cruising the Horizon: New York Imagines New, Queer(er) Potentials
A testament to José Esteban Muñoz’s ongoing legacy and influence, the hybrid exhibition gestures towards the expansiveness and accessibility we need.
News
Bill to Expand African Burial Ground National Monument
Over 15,000 enslaved and free Black people were buried at the site during the 17th and 18th centuries.
Art
Matt Bollinger’s Working-Class Elegy
Bollinger is a major artist chronicling a substantial sector of American life.
Art
Cordy Ryman’s Stubborn Joy
Ryman’s sculpture embodies DIY aesthetics raised to a high level of sophistication while remaining modest and self-effacing.
Art
Through Video and Collage, Abbey Williams Inverts the Paradigm of White Hegemony
In Vignette, Abbey Williams explores how Black affective space persists within and outside the constricted frame of the white gaze.
Film
From Georges Méliès to Contemporary Sci-Fi, Short Films About the Information Age
Flaherty NYC's spring streaming program brings together a series of shorts on how humans navigate digital environments.
News
Before and After Photographs of 5Pointz Mural Site Show a Bleak Transformation
See how a historic monument to graffiti art was unrecognizably transformed into a luxury high rise with the personality of a sad hotel lobby.
Film
A New Lunchtime Screening Series Delves Into Our Environmental Crisis
Throughout April, Mishkin Gallery’s Critical Ecology on Film will gather artists, academics, and filmmakers for urgent screenings and conversations.
Art
With David Hammons, Meaning and Process Hold Hands
In Hammons’s body prints, the veteran artist melds method, intention, and significance.
Art
In Thrilling Palettes, Ilana Savdie Maps Electrifying Geographies
In the artist’s first solo exhibition, fragments of vibrant color quake with anticipation as if waiting to be ignited.
Art
So Much Achieved by One Artist in So Little Time
The Belgian artist Ilse D’Hollander rejected abstraction and figuration as an either/or premise in favor of a path that embraced both.