Art
Drawing as Refuge
Pete Schulte's drawings at first seem to be easily apprehended and quickly digested, but they demand a deeper reflection on choices and motives.
Art
Pete Schulte's drawings at first seem to be easily apprehended and quickly digested, but they demand a deeper reflection on choices and motives.
Art
Is Joanne Greenbaum making fun of collectors’ tastes, or is she enlarging the definition of art? The fact that you cannot tell is what is so great about her work.
Art
It seems that Wong was in touch with his deepest feelings and they came through in all of his art; this is what makes him special.
In Brief
Preservationists have voiced their concerns about eliminating Lippold's “Orpheus and Apollo,” one of the original pieces of public artworks at Lincoln Center, installed in 1962.
Film
Film Forum's new series Scorsese Nonfiction brings an under-discussed facet of the director's career into focus.
Film
Kicking off today at Film at Lincoln Center, the series presents a body of work that’s particularly heartening when one considers the encroachments on freedom that Brazilian cinema must now confront.
Film
We might think of Adam Khalil and Bayley Sweitzer's latest as a cyborg film — both its subject matter and formal approach depend on unifying across difference, a fuck-you to essentialized binaries.
Art
From Bruce Nauman to Do-Ho Suh sculptures, Henry Buhl’s SoHo loft is decorated entirely with artworks about one thing: hands.
Announcement
laissez faire et laissez passer structures itself as a self-conscious strike-out and strike-through — an attempt to erode a compromised structure while ineluctably reproducing it. On view from December 12 to January 4, 2020.
Art
snake skin is a corporeal study of the body politic, in which Khan wields the tools of cultural autopsy in her dissections of ancient ruins and traditions.
Art
The artist, born Corinne Michelle West, is among the forgotten women of the postwar era, who rarely adhered to one style.
Announcement
From its inception, the SVA Art Writing program has had a special emphasis on the history and future of the image.