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Baltimore Museum Halts Art Sale Amid Escalating Controversy
The decision comes only hours before the Sotheby’s contemporary art auction this evening in which two of the works were slated to go under the hammer.
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The decision comes only hours before the Sotheby’s contemporary art auction this evening in which two of the works were slated to go under the hammer.
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Thousands of Nigerians have protested against a federal police unit called the Special Anti-Robbery Squad (SARS), which is accused of brutality and abuse of power.
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The Mariah App uses augmented reality technology to transform the Met’s Sackler Wing into a memorial site for Mariah Lotti and others who have lost their lives to the opioid crisis.
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Over 60 artists have contributed to Project 270, an initiative by Mana Urban Arts Project, to engage young, disenfranchised voters nationwide.
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The Greenpoint Library & Environmental Education Center was built using funds from a state settlement with ExxonMobil for its devastating oil spill in the neighborhood.
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“How can we think that Period Red can universally represent our menstrual palettes?” asks Cromoactivismo, an Argentine group that mobilizes color in the service of social change.
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New York Magazine commissioned voting stickers with imaginative designs by 48 artists.
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Pendleton and Sherald join two honorary trustees who have also stepped down from the board, though the artists did not state their objections to a contentious deaccession.
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This edition, we look at the origins of the term propaganda, some 20th-century incarnations, and how propaganda is playing out during the 2020 US election.
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New York State has lost 32,000 — approximately 50% — of its performing arts jobs in the past year, and “more than 4,400 jobs in museums,” according to Elie Dvorkin of Center for an Urban Future.
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A petitioner has abandoned claims filed with the Commissioner of the New York State Department of Education challenging the sale of Jackson Pollock’s “Red Composition,” which realized $13 million.
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In a public letter yesterday and in an interview with Hyperallergic, Clair Zamoiski Segal, chair of the board of trustees, addressed criticism of the BMA’s decision to sell three paintings from its collection.