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Adobe, Twitter, and the New York Times Company are spearheading the Content Authenticity Initiative, which aims to create a reliable system of attribution for digital creators and publishers.
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Also, Nigeria's first entry into the Academy Awards was disqualified for containing too much English dialogue, goats helped save the Reagan Library from wildfire, and more.
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Plus, the iconic black outfit worn by Olivia Newton-John in the film Grease has sold, along with a $4 million painting by Édouard Manet.
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Citing low attendance, the Marciano Art Foundation in Los Angeles announced its decision to close indefinitely. The closure came just days after 60 employees publicly announced intentions to unionize.
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Some of the artists participating in the exhibition were denied travel visas to the US, while others had no chance of attending the exhibition's opening because of Trump's travel ban or their asylum status in other countries.
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In 1811, hundreds of enslaved people marched through Louisiana chanting “freedom or death.” While their oft-forgotten journey ended in massacre, artist Dread Scott spent six years organizing a reenactment to celebrate the legacy of their courage, to be staged November 8-9.
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The deck was originally created for the 1970s James Bond film Live and Let Die, starring Roger Moore and Jane Seymour, but it never appeared in the picture.
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The city recently passed two new measures beefing up renters’ protections, and the artists facing displacement are taking full advantage of the law.
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After ousting the previous director, the ministry plans to hire a new director without the customary open call process. The nominee, Piotr Bernatowicz, has been accused of misogyny and anti-Semitism.
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The Feminist Art Coalition has coordinated with museums nationwide to display feminist art in anticipation of the 2020 election.
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Contentious relations between the United States and China underscore the display of Fusco's "Tin Man of the Twenty-First Century" at the Anren Biennale in China's Sichuan province.
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Many of the objects, which were slated for an exhibition at the Holocaust Museum of Buenos Aires, had multiple misspellings in German, misused or wrongly contextualized National Socialist symbols, and errors in the names of Nazi-era institutions.