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Plus the Fairfield University Art Museum gets a gift of more than 1,500 prints and the Cleveland Museum of Art acquired paintings by Dirck van Baburen and Emma Amos.
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A clandestine modification of a junk removal billboard and a nighttime projection of a political cartoon called out the president's family separation policy.
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The artist claims that the gun advocacy group is committing copyright infringement by using an image of his sculpture in a video without his permission.
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Adobe and the Bauhaus Dessau Foundation teamed up to turn fragments of five unfinished typeface designs from the 1920s and '30s into full-fledged digital typefaces.
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Members of BP or not BP? and other collectives staged the "Fossil Free Mischief Festival" in front and in the lobby of the RSC's Stratford-upon-Avon theater.
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Based on what they do with the money, four of the grantees will receive an additional $25,000.
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This week in art news: a federal judge upheld his prior ruling in favor of the 5Pointz artists, a municipal report suggested that Beatrix Ruf had been wrongfully accused of conflicts of interest, and Erwin Wurm's "Hot Dog Bus" began serving free hot dogs in Brooklyn.
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Plus Sean Scully donates over 20 works to a Dutch museum, and more results from Phillips, Christie's, and Sotheby's.
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A study based on a survey of more than 1,000 practicing visual artists sheds light on the economics of making art.
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This year's recipients of the museum's Art+Technology Lab grants were exclusively shared with Hyperallergic. Here is a glimpse into their winning projects.
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The Southern Poverty Law Center has tallied nearly 2,000 Confederate symbols in public spaces, from monuments to schools named for Confederate figures.
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A campus-wide fundraising initiative features the slogan "Arts Everywhere," but art and art history students feel their needs are being systematically neglected.