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The postmodern icon has become the first of its kind to gain landmark preservation status in New York City, but there's no word if the art housed inside will remain safe.
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Somewhere in the distance, Celine Dion sings "My Heart Will Go On" as she pours one out for the French architect-idealist.
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Museums are finding new ways to make money but the National Gallery decided they wanted to sleep on it.
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Swedish crown jewel thieves escape by motorboat, American and British Vogue welcome long overdue “firsts” for Black artists, and two initiatives to support Puerto Rican art are announced.
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Artists went to the Design Museum to retrieve their works after the museum released a statement that angered exhibiting artists. The protests were sparked when the public institution hosted a private event organized by arms-trading company Leonardo
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Plus, the Museum of Fine Arts in Boston receives a 17th century Chinese scroll, and the Krannert Museum in Illinois expands its collection after a five-year-fundraising initiative.
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Many of the artists plan to attend the removal of their work by the museum this week.
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Activists in Russia are protesting the recent order by Russian authorities to destroy a digital print by the art collective Rodina.
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The poem, titled “Resist, my people, resist them,” landed the poet in trouble with Israeli authorities.
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A dozen protesters gathered at the Whitney Museum of Art to condemn the institution's lack of modern context about the HIV/AIDS epidemic in relation to Wojnarowicz's artwork.
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The Cheech Marin Center for Chicano Art, Culture & Industry receives a $9.7 million state-funded grant, despite controversy and dissent from a local politician.
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This week in art news: Native American female artists receive long overdue recognition, New York Supreme Court judge orders stolen ancient art to be returned to Iran, and philanthropist behind “Anonymous Was a Woman” is revealed.