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This week in art news: Giorgio Vasari's "Last Supper" was reinstalled 50 years after being damaged by flooding, the US Holocaust Memorial Museum condemned a white nationalist conference that took place nearby, and David Hockney was commissioned to create a stained glass window for Westminster Abbey.
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In North Dakota and beyond, Native American artists and their allies are creating work in support of the water protectors fighting the Dakota Access Pipeline.
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The For Freedoms artist-led super PAC is riling people in Mississippi with a billboard that combines Donald Trump's campaign slogan with a Civil Rights-era photo.
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This week in art news: a portrait of Donald Trump on a toilet caused a bomb scare, the Whitney Museum released its list of participants for next year's Biennial, and Ohad Meromi's controversial sculpture "The Sunbather" was installed in Queens.
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The day after the election, the art collective T.Rutt was informed it would no longer get to show its anti-Trump bus and flag works at the Red Dot Fair in Miami.
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The celebratory release of Vincent van Gogh: The Lost Arles Sketchbook is clouded in controversy as Amsterdam’s Van Gogh Museum rejects the authenticity of the supposedly 200-year-old album.
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The Museum of Anthropology at the University of British Columbia has received an anonymous donation of First Nations art and artifacts worth $7 million, a major return of indigenous heritage to the area.
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Two works by Max Ernst from the collection of his widow, the artist Dorothea Tanning, are going under the hammer.
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The Aberdeen Bestiary is filled with paintings of animals that illustrate tales of moral behavior. You can now page through it online.
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Archaeologists excavating an ancient necropolis at the site of the historic the historic Urfa castle in the southeastern city of Şanlıurfa found mosaic portraits of two men and two women.
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This week in art news: artists responded to the election of Donald Trump, Vladimir Putin unveiled a giant statue of Vladimir the Great, and the Royal Ontario Museum apologized for the "colonial, racist and Eurocentric premises" of a 1989 exhibition.
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Patrick Eddington wrote to countless writers and artists, from Kiki Smith to Marcel Dzama to Ray Bradbury, asking them to send him cat-related works. They did.