![Short Films by Jonas Mekas Surface Online [UPDATED]](/content/images/size/w600/hyperallergic-newspack-s3-amazonaws-com/uploads/2010/07/mekas-shorts-home.jpg)
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In light of yesterday’s shocking news that avant-garde filmmaker Jonas Mekas is suing art dealer Harry Stendhal for a supposed swindle, I wanted to share one positive highlight of the business relationship between Stendhal and Mekas that just surfaced online … 14 short films, which include three epi
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Sources close to Hyperallergic have learned, from sources close to artist Jeff Koons — and his 120 + assistants — that the artist of choice of the last gilded age has met with NBA player Lebron James this morning in a final pitch for the New York Knicks to land the basketball superstar. That’s right
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One of the definitions given by the OED for sculpture is, “as a type of silence or absence of movement of feeling.” After 700 hours of sitting ‘still as a statue’ and silently engaging a series of 1400+ visitors at MoMA, Abramović has completed what is being hailed the longest work of performance ar
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At its best, modern art begs the question, “Is this art?” There is a death wish that threads modernity – death of God, death of the author, death of history, even the death of the modernity itself (the post-modern) but perhaps most insistently of all, is the existential interrogation that is modern
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There is a death wish that threads modernity — death of God, death of the author, death of history, even the death of the modernity itself (the post-modern) but perhaps most insistently of all, is the existential interrogation that is modern art … but is it true for sculpture?
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This week we are pleased to publish an essay by sculptor and blogger John Powers about the relationship of death, sculpture, and modernity. The essay, titled “Art, Not Suicide,” wrestles with Rosalind Krauss and her influential essay “Sculpture in the Expanded Field,” as a starting point and asks, “
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Brent Burket (aka Heart as Arena) has a report on artist Dread Scott’s “Money to Burn” performance in front of the New York Stock Exchange on Tuesday … it included a lighter, US currency, cops, and confused tourists …
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In a weeklong series, critic and journalist Tyler Green is exploring the attribution of some of Eadweard Muybridge’s images and the possibility that they were in fact from other photographers, such as Muybridge’s friend and rival Carleton Watkins.
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This November, a new exhibition that hopes to explore the artistic boundaries and terrain of the Ottoman Empire will open at Pratt Manhattan Gallery. Titled Blind Dates, the show is the brainchild of curators Defne Ayas and Neery Melkonian, and their goals are lofty as they set out to trace: “… ‘wha
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Rogue knitters … yes, knitters … encamp along the Berkeley-Oakland border to protest a public sculpture, inspired by a Gertrude Stein quote, they believe insults Oakland.
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If the Queens Museum of Art isn’t the most well-known museum, it certainly is one of the most resourceful as it seems to work wonders with the limited resources they have. Tomorrow (Wednesday, June 9) is QMA’s annual gala and we hope you will consider supporting one of the borough of Queens’s leadin
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There are many mysteries in 20th C. American art but none are more enduring than the question of the mysterious diner in Edward Hopper’s iconic painting “Nighthawks” (1942). Now, Jeremiah’s Vanishing New York [http://vanishingnewyork.blogspot.com] is promising to get to the bottom of it all.