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Hyperallergic

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Nicaragua

Posted inArt

The Art of Liberation in a Utopian Nicaraguan Community

Avatar photo by Silvia Benedetti February 8, 2018April 29, 2020

The Dream of Solentiname exhibition uses the Solentiname experiment as a case study to explore the confluence of aesthetics and politics in Central America during the revolutions of the late twentieth century.

Posted inArt

Reconstructing Managua Before the 1972 Earthquake

by Laura C. Mallonee March 20, 2015March 23, 2015

MANAGUA — Most people will advise you, on touching down in Managua, to rent a car and drive as fast out of the Nicaraguan capital as you can.

Posted inArt

The Politics of Architecture in Nicaragua

by Laura C. Mallonee May 28, 2014May 28, 2014

In March, I wrote about Nicaraguan First Lady Rosario Murillo’s massive construction of public art projects as symbols of state power, into which the government has funneled millions of dollars. Now, in a bizarre twist, the state has destroyed the most iconic of these structures, the Concha Acustica.

Posted inArt

Psychedelic Symbols of State Power in Nicaragua

by Laura C. Mallonee March 31, 2014April 3, 2014

After Nicaraguan president Daniel Ortega lost his re-election bid in 1990, the eccentric poet and first lady Rosario Murillo told a reporter she was happier with her common-law husband out of power. “I had a series of responsibilities that didn’t let me do art,” she explained.

Craft in America Premieres New Season With “PLAY” and “MINIATURES”
Sponsored

Craft in America Premieres New Season With “PLAY” and “MINIATURES”

The latest episodes of the PBS documentary series explore the intersection between play and artistry, as well as the world of small objects and the artists who make them.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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