• Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Log In
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Twitter
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Log In
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Twitter
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Log In
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Twitter
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
Skip to content
Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Membership

Nicaragua

Posted inArt

The Art of Liberation in a Utopian Nicaraguan Community

Avatar photo by Silvia Benedetti February 8, 2018April 29, 2020

The Dream of Solentiname exhibition uses the Solentiname experiment as a case study to explore the confluence of aesthetics and politics in Central America during the revolutions of the late twentieth century.

Posted inArt

Reconstructing Managua Before the 1972 Earthquake

by Laura C. Mallonee March 20, 2015March 23, 2015

MANAGUA — Most people will advise you, on touching down in Managua, to rent a car and drive as fast out of the Nicaraguan capital as you can.

Posted inArt

The Politics of Architecture in Nicaragua

by Laura C. Mallonee May 28, 2014May 28, 2014

In March, I wrote about Nicaraguan First Lady Rosario Murillo’s massive construction of public art projects as symbols of state power, into which the government has funneled millions of dollars. Now, in a bizarre twist, the state has destroyed the most iconic of these structures, the Concha Acustica.

Posted inArt

Psychedelic Symbols of State Power in Nicaragua

by Laura C. Mallonee March 31, 2014April 3, 2014

After Nicaraguan president Daniel Ortega lost his re-election bid in 1990, the eccentric poet and first lady Rosario Murillo told a reporter she was happier with her common-law husband out of power. “I had a series of responsibilities that didn’t let me do art,” she explained.

Popular

  • The Single Detail That Changed My Mind About Alex Katz
  • Forget “Mummy,” It’s “Mummified Person” Now
  • What Does TikTok’s “Corecore” Have to Do With Dada?
  • Machu Picchu Indefinitely Closed Amid Political Protests
  • The Biggest Shitshow Ever, Literally
Sponsored
  • Human/Nature: Pathways from Art to Environment
  • RISD Continuing Education Offers 170+ Online Courses for Adults and Teens
  • The Heart’s Knowledge: Science and Empathy in the Art of Dario Robleto
  • Call for Applications: Alex Brown Foundation 2024 Artist Residency Program
Hyperallergic
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

  • Home
  • Latest
  • Podcast
  • Store
  • About
  • Support Us
  • Advertise
  • Contact Us
  • Log In
  • Membership
  • Newsletters
  • Submissions
  • Careers
© 2023 Hyperallergic. Proudly powered by Newspack by Automattic Privacy Policy