Performance
Nick Cave Lets Go in a Performance that Is Part Confession, Part Celebration
In “The Let Go” at the Park Avenue Armory, the artist explores jubilation washed with spectacle and an undertow of anguish.
Performance
In “The Let Go” at the Park Avenue Armory, the artist explores jubilation washed with spectacle and an undertow of anguish.
Art
The decorative alchemy that should transform these objects into a stronger form of messaging falls flat.
Music
When personal expression is your aesthetic mode, then aesthetic quality depends on quality of personality.
Art
DETROIT — Despite the conference featuring some of the Detroit’s leading thinkers and most innovative practitioners discussing a compelling topic — the intersection of art and ritual — I felt deeply ambivalent about attending.
Art
DETROIT — Can an exhibition be informed by the place it visits?
Art
We love NYC and LA and all the art they have to offer, but we know they're only two towns of many across the country mounting great exhibitions large and small.
Interview
"I’m interested in coming to Detroit — providing you this opportunity to be up close and personal with the work in this static format, but then also being able to get you into this performative experience."
Film
The myth-maker becomes the myth in 20,000 Days on Earth, a fun-house foray through memory, music, life, and creativity.
Art
“I began thinking more about myself as an artist with a civic responsibility,” said artist Nick Cave to Mass MoCA curator Denise Markonish during a conversation last Friday evening at Jack Shainman Gallery.
Art
KINDERHOOK, NY — If Jack Shainman wanted to make a splash in upstate New York with his new space The School, then he achieved that goal, as last Saturday's opening brought roughly 800 locals and art worlders together in a transformed schoolhouse in the town of 8,500.
Art
I first learned about Nick Cave's work in an undergraduate puppetry class. Puppetry, like architecture and some other disciplines, is the synthesis of a myriad of techniques both artistic and mechanical, attracting sculptors, dancers, and engineers in equal number. Similarly, Cave's 30-strong herd o
Art
Before Nick Cave's “Heard•NY” galloped off into its first performance of its week-long installation in Grand Central Terminal, the soundsuit artist explained that he wanted to "produce a piece that brought us back to a dream state." The 60 dancers from the Alvin Ailey School definitely gave the 30 f