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Posted inPerformance

A Visual Concert of Gestures

Audience members for Tori Wrånes’s “Yes Nix” performance had to sidestep the artist, who was lying on the floor at the entrance to SIR Stage 37, as they walked in. Her feet were tied in rope, which was strung up to a running track in the ceiling. It was the most confrontational part of the 30-some-minute performance, an otherwise structured and slick series of gestures — a sort of operetta without words.

Posted inOpinion

Museums Get Creative with Their Permanent Collections

Museums are turning more, and with more creativity, to their own permanent collections. Is necessity the mother of invention once again, or is there a real interest among museums to breathe new life into their own holdings? (Or both?) Either way, the public is reaping the benefits. Today viewers have more opportunities to see important works recontextualized by enterprising curators who are themselves reexamining the ways we construct and perceive our art histories.