Though unequivocally a monographic show, Rerun is clearly the product of many (fresh and youthful) voices, much to its benefit.
In Telling Stories, Robyn O’Neil, Amy Cutler, and Annie Pootoogook showcase the continued utility of this ancient art form to stunning effect.
The Butler Institute of American Art received 98 works from the kinetic art collection of developer David Bermant, who acquired work that explored movement through the use of video, electronics, robotics, holography, magnetism, and light.
Susan Allan Block called for “no peace” and “no concession,” called Kamala Harris a “whore,” and labeled Joe Biden an “illegitimate president” in controversial social media posts.
Raggin’ On is a fitting legacy for an absolutely singular artist who spoke passionately of and to her collective community.
The poster by Adana Tillman is animated as a 3D-image, allowing spectators to add elements to the artwork, change colors, and create their own designs.
As Radical Tradition affirms, the act of creating whole cloth from scraps is not just a matter of making ends meet, but an empowering act of reclamation.
Organized by La Tanya S. Autry, scholars, artists, and museum professionals including Christina Sharpe, Key Jo Lee, and William C. Anderson gathered to discuss the limits and possibilities of art to address anti-Blackness.
The joint program provides students with funded opportunities to earn master’s degrees in art history and museum studies, as well as PhDs in art history.
At a moment when so many of us are missing physical touch and closeness, the richly colored, relentless tactility of Hildur Ásgeirsdóttir Jónsson and Kaveri Raina’s works resonate all the more deeply.
After a Shaun Leonardo exhibition at moCa Cleveland was canceled, the museum issued an apology for its decision-making process. Activists and art workers in the Cleveland community, including Rice, have come forward as critics.
“Let me reemphasize this point: the Toledo Museum of Art does not have a political stance,” director Adam Levine wrote, prompting criticism. But oppression is not a question of political ideology, it is factual.