There is a desire to cover up ecological degradation through artificially adding color, which constitutes a kind of denialism.
Eliasson suggested that it was just fine for people to touch his artwork. He even said it would be great if anyone wanted to kiss or hug the spheres.
The Tate has responded, saying that the tunnel sculpture in question “cannot be made safely accessible for wheelchair users.”
The curators of Olafur Eliasson: In Real Life have highlighted the the open-endedness of his practice by allowing the exhibition to spill out over the boundaries of the ticketed space into corridors, the terrace outside, and other places.
“This movie is about things we know today about our own galaxy. It’s not an unknown future. It’s almost here.”
A new partnership is slated to bring affordable energy and light to IKEA consumers around the world.
Acute Art aspires “to explore and enable the transition from art in the physical world into the new, disruptive realm of VR,” something artists have been doing for years.
In response to Austria giving migrants a red light, Danish-Icelandic artist Olafur Eliasson decided to create a “Green light,” a crystalline polyhedral LED light made from recycled materials.
PARIS — In the aftermath of November’s terrorist attacks and the ruling Socialist Party’s meltdown following a strong first-round showing for Marine Le Pen’s far-right Front National party, I glummly went to the Place du Panthéon to see Ice Watch Paris, an exhibition of melting icebergs by Danish relational artist Olafur Eliasson.
Tree of Codes brings together the efforts of three major names from three different disciplines: Wayne McGregor, the award-winning British choreographer; Danish-Icelandic visual artist and light wizard Olafur Eliasson; and electronic music producer Jamie xx, one third of the band the xx.
For the past six years, the Danish-Icelandic artist Olafur Eliasson has been working with a color chemist to produce paint pigments that correspond to each nanometer of the visible light spectrum.
Today, Riverbed, Olafur Eliasson’s first solo exhibition at Denmark’s Louisiana Museum of Modern Art, fills the museum’s South Wing with dirt and rocks of all sizes, complete with a narrow, meandering trench of water, to transform the space into a craggy landscape.