A Scintillating Opera Is the Met’s First by a Female Composer in 113 Years Chrysler Ford and John ShererDecember 16, 2016
In a New Staging of the Tale of William Tell, the Only Flaw Is the Audience Chrysler Ford and John ShererOctober 31, 2016
How Chagall, Sendak, Hockney, and Other Artists Staged the Fantasies of ‘The Magic Flute’ Allison MeierJuly 21, 2016
With Work by Living Composer, Canadian Opera Company Embraces the Edges of Its Art Catherine KustanczyOctober 30, 2015
As the Met Abandons Blackface, a Look at the Legacy of African Americans in Opera Alison KinneyAugust 3, 2015
