Opinion
Did Auguste Rodin Steal From Camille Claudel?
What went so wrong that the brilliant sculptor’s work became so little known? Simply put, she entered Rodin’s studio.
Opinion
Opinion
In Defense of Jonathan Yeo’s King Charles Portrait
Just like Velázquez’s last portrait of King Philip IV of Spain, Yeo’s blood-red painting signifies the imminent downfall of a monarch.
Opinion
How Can Grantmakers Support Artists of Color?
Those of us in arts philanthropy need to redouble our efforts to fund artists and organizations of color and sharpen our grantmaking practices to advance racial justice.
Opinion
Tagging “Me Too” on a Courbet Is Not the Feminism We Need
Deborah De Robertis’s protest performance signifies precisely what is wrong with current feminist discourse.
Opinion
The Palestine Congress That Never Was
Inside Berlin’s censorship of a Palestine solidarity conference that police shut down as soon as it began.
Opinion
Celebrating Seder at Columbia’s Gaza Solidarity Encampment
The student protest was a most fitting setting for a peaceful, focused, and deeply moving Passover seder.
Opinion
The Miscarriage Collages That Were Too Much for the Art World
In 1974, the San Francisco Art Institute isolated Joanne Leonard’s series Journal of a Miscarriage from the rest of the works in her solo show. Has anything changed since?
Opinion
Why the Vessel Should Remain Closed for Good
It’s time to acknowledge the Hudson Yards staircase sculpture for what it has become: a memorial.
Opinion
Faith Ringgold Paved the Way
The late artist fiercely reckoned with the status quo, leaving the art world better than she found it through a rich legacy of Black feminist activism and artmaking.
Opinion
My Grandma's Doilies Are Not a Joke
When will art institutions finally pay respect to our foremothers’ artistry?
Art
You Can't Corgi-Wash Queen Elizabeth's Colonial Legacy
The peoples crushed under British imperialism might not find Hywel Pratley's tribute to the late monarch and her dogs so endearing.
Opinion
Scratching Beneath the Surface of Identity-Based Group Shows
While Asian-American Art may be "plagued by generational amnesia," as Sharon Mizota wrote for Hyperallergic, the artists and curators of Scratching at the Moon are definitely not.