Opinion
Lessons on Black Art Writing From Toni Morrison
Morrison reminds us to dwell in Black visions, to give ourselves over to them entirely, and to do so in language that does not plead for understanding.
Opinion
Morrison reminds us to dwell in Black visions, to give ourselves over to them entirely, and to do so in language that does not plead for understanding.
Opinion
Critics of the opening ceremony betrayed their ignorance of Christianity’s pagan roots — and the real reason behind their ire toward the show.
Opinion
The Diné symbol was suppressed for decades by a settler-dominated art market that conflated it with the Nazi insignia.
Opinion
In the compulsive analysis of the former president’s image, we risk overlooking the mundanity of gun violence and its less mediagenic casualties.
Opinion
The vandal who beheaded Esther Strauss’s sculpture of the Virgin Mary in labor disregarded centuries-old depictions of the mother of God as just a mother.
Opinion
Historic arts enclaves like Provincetown, Key West, and Taos, and American culture at large, lose when they fail to invest in artists and writers.
Opinion
No other museum in living memory has permitted the mass arrest of members of the arts community engaged in a non-violent assembly.
Opinion
What went so wrong that the brilliant sculptor’s work became so little known? Simply put, she entered Rodin’s studio.
Opinion
Just like Velázquez’s last portrait of King Philip IV of Spain, Yeo’s blood-red painting signifies the imminent downfall of a monarch.
Opinion
Those of us in arts philanthropy need to redouble our efforts to fund artists and organizations of color and sharpen our grantmaking practices to advance racial justice.
Opinion
Deborah De Robertis’s protest performance signifies precisely what is wrong with current feminist discourse.
Opinion
Inside Berlin’s censorship of a Palestine solidarity conference that police shut down as soon as it began.