Opinion
Israeli Chutzpah at the Venice Biennale
Perfectly timed for maximum press attention, the performative closure of the country’s pavilion is opportunistic and cynical.
Opinion
Perfectly timed for maximum press attention, the performative closure of the country’s pavilion is opportunistic and cynical.
Opinion
Art-world people love lobbing this low-hanging critical fruit at the exhibition. This year especially, the moniker is ill-fitting and glib.
Opinion
A look at the failed, racially charged takedown of dealer-activist Amar Singh.
Opinion
Thirty years after its founding, the Pittsburgh institution still hasn’t defined a role for itself.
Opinion
An exhibition at the Palazzo Ducale in Genova trades a celebration of the pioneering artist’s opus for a violent spectacle.
Art
The city was once a hub for an ancient Greek ritual. Now, efforts to harness its fabled past risk merely aestheticizing its current environmental and economic hardship.
Opinion
Thanks to selective governmental investment in the arts, a sad joke has emerged — state-funded "radicals."
Opinion
Many members of the current generation do not recognize or even know about past efforts to create visibility for Asian-American artists.
Opinion
Turkey’s narrative surrounding “the world’s oldest bread” raises questions about how archaeological heritage is used for nationalistic ends.
Opinion
He copyrighted the letter and ended it with “for your eyes only,” as if to say, don’t even think of showing this to anybody.
Opinion
Naming the wrongs of the past is hard, especially when the wrongs have not yet been entirely righted, but it's crucial.
Opinion
Luckily, it can be avoided by filling out a simple form.