Opinion
The Embargo on Empathy
If solidarity with the Palestinian struggle is the limit of Germany’s self-proclaimed pluralism, then it is also the pressure point from which to dismantle this racist status quo.
Opinion
Opinion
What Freezing My Eggs Meant to Me as an Artist
I re-evaluated all of the choices I had made in my life, including the decision to become an artist.
Opinion
When Representation Alone Isn’t Enough
Tribeca Film Festival’s decision not to award cash prizes to filmmakers this year led me to reflect on how institutions can genuinely embrace diversity.
Opinion
Shall I Condemn Myself a Little for You?
Behind the endless demands to “condemn Hamas” is a strategy to silence and dehumanize Palestinians and their supporters.
Opinion
How Far Should a Gallerist-Artist Relationship Go?
How well gallerists manage ties with artists determines how successful we are in making an artist happy (assuming there’s such a thing as a happy artist).
Opinion
William Blake, Our Contemporary
Tate Britain did wisely to rehang the British poet and painter closer to modernity.
Opinion
Relief Is Coming for Artists With Federal Student Loan Debt
After the Supreme Court struck down loan forgiveness, the Biden administration came up with a robust plan B. Here’s how to prepare.
Opinion
David Byrne’s Broadway Musical Celebrates a Monstrous Fascist
Though its creators won’t admit it, Here Lies Love is a tribute to the former First Lady of the Philippines Imelda Marcos, a human rights criminal and a relentless grifter.
Opinion
To Whom It May Concern: Abolish Recommendation Letters!
Several arts organizations have stopped requiring reference letters. More should follow suit.
Opinion
The Sun Is Setting on the British Museum
There’s only one way for the museum to survive the 21st century, and it starts with advancing toward restorative justice.
Opinion
Portrait of a Frightened Boy-Man
If you look very closely at Donald Trump’s mug shot, you can see the fear in his bloodshot eyes.
Opinion
You Can Never Be Complicit Enough for the Turkish Art World
As we consider the rejection of Defne Ayas as the curator of the next Istanbul Biennial, it's time to examine how genocide denial has long been a staple of the art world in Turkey.