Opinion
Why We Can’t Have Mid-Century Modern
It appears that mid-century modernism’s cultish popularity has all but blinded us to the basic needs it was initially meant to address.
Opinion
It appears that mid-century modernism’s cultish popularity has all but blinded us to the basic needs it was initially meant to address.
Opinion
Psychologically, the work of both Gertrude Abercrombie and Hughie Lee-Smith enhance the otherworldly isolation of “Nighthawks.”
Opinion
In a recent episode on Aileen Wuornos in the docuseries, Catching Killers, one talking head investigator is baffled by her actions, but I understand her deeply.
Opinion
What holograms offer only reminds us that the types of audience interaction they invite cannot fully animate the past.
Opinion
The British Museum’s complicity in BP’s artwashing ranks alongside the museum’s continual refusal to engage with its own colonial history.
Opinion
The vast majority of museums have a long way to go before we can truly say that they are welcoming for anyone and everyone to visit.
Opinion
Collaborations with the State Hermitage Museum are particularly problematic since the director, Mikhail Piotrovsky, flaunts his bond with Putin.
Opinion
The true problems relate to the invisible architecture of these institutions that cannot or will not respond to the needs of parents.
Opinion
A colleague once told me “You live better when you work in a union, especially in an art museum because you work for elitists.”
Opinion
Basildon’s new murals represent how artists are used in regeneration schemes the world over: socioeconomic cover-ups under the guise of opportunity.
Opinion
This culture industry perfects the mechanisms for the wholesale destruction of art not beholden to establishment narratives.
Opinion
The organization serves as one of the largest nodes in the Classical Realist movement.